{"product_id":"kodak-tri-x-400-35mm-black-and-white-film-36exp","title":"KODAK Tri-X 400 35mm Black-and-White Film 36EXP","description":"\u003cp\u003e\u003cstrong\u003eKODAK Tri‑X 400TX is a versatile, high‑speed 35mm black‑and‑white film built for low light, fast action, and flexible processing.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTrusted by documentary, street and portrait photographers for decades, Tri‑X 400TX combines classic silver‑halide character with modern grain structure and wide exposure latitude. This 36‑exposure roll at ISO 400 balances fine grain and high resolving power so images retain detail when enlarged, while also tolerating push processing to achieve greater effective speed when needed. The film’s panchromatic sensitivity renders tones naturally across the visible spectrum, making it a go‑to choice for photographers who want reliable black‑and‑white results in varied shooting conditions.\u003c\/p\u003e\n\n\u003ch3\u003eHow well does Tri‑X 400 perform in low light and fast‑action situations?\u003c\/h3\u003e\n\u003cp\u003eTri‑X 400’s nominal ISO 400 rating gives you a good compromise between speed and image quality, and it responds predictably to push processing for higher effective speeds. That makes it suitable for available‑light street work, evening events, and motion where faster shutter speeds are required.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eISO 400 base for balanced grain and sensitivity.\u003c\/li\u003e\n  \u003cli\u003ePush‑process friendly — commonly pushed to ISO 800 or 1600 with controlled contrast.\u003c\/li\u003e\n  \u003cli\u003eHigh resolving power preserves detail in motion shots.\u003c\/li\u003e\n  \u003cli\u003ePanchromatic response captures natural tonal relationships across colors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat image characteristics can I expect: grain, contrast and sharpness?\u003c\/h3\u003e\n\u003cp\u003eTri‑X 400 yields a classic silver grain texture that is fine for a high‑speed film while maintaining impressive sharpness. Expect medium contrast by default, which keeps highlight and shadow detail usable for printing and scanning.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eFine, film‑character grain suitable for enlargements and prints.\u003c\/li\u003e\n  \u003cli\u003eModerate contrast that preserves shadow and highlight information.\u003c\/li\u003e\n  \u003cli\u003eHigh sharpness and resolving power for good rendition of small details.\u003c\/li\u003e\n  \u003cli\u003eConsistent tonal roll‑off that works well for a variety of subjects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow should I expose and process Tri‑X 400 for best results?\u003c\/h3\u003e\n\u003cp\u003eExpose at ISO 400 for general shooting; consider overexposing by one stop for cleaner tones or underexposing cautiously if you need to retain highlight detail. Darkroom developers and most C‑41 alternatives are not compatible—use standard black‑and‑white chemistry and consult processing times for push\/pull adjustments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eMeter at ISO 400 for neutral results, or push to ISO 800–1600 with adjusted development.\u003c\/li\u003e\n  \u003cli\u003eUse standard B\u0026amp;W developer recipes; refer to manufacturer or processing lab specs for times.\u003c\/li\u003e\n  \u003cli\u003eHandle in subdued light and keep processing consistent for predictable contrast.\u003c\/li\u003e\n  \u003cli\u003eScan negatives at higher resolution to capture grain and detail for digital workflows.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy do professionals still choose Tri‑X in a digital era?\u003c\/h3\u003e\n\u003cp\u003eTri‑X 400 delivers a tangible aesthetic and tonal quality that many photographers find difficult to replicate digitally. Its flexibility, pushability and proven archival properties make it a reliable creative tool for projects where black‑and‑white character matters.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eClassic film look valued in editorial, documentary and fine art work.\u003c\/li\u003e\n  \u003cli\u003ePredictable behavior across exposure and development variations.\u003c\/li\u003e\n  \u003cli\u003eGood for both contact prints and enlargements thanks to resolving power.\u003c\/li\u003e\n  \u003cli\u003eStable, widely supported by labs and scanning workflows.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eWho is this for: KODAK Tri‑X 400TX 36‑exposure 35mm film is aimed at photographers who want dependable black‑and‑white results in diverse lighting—street shooters, documentary and reportage photographers, students learning darkroom technique, and enthusiasts who appreciate classic grain and tonal character. If you need a robust, pushable B\u0026amp;W film that scans and prints well, Tri‑X remains an industry standard.\u003c\/p\u003e\n\u003csection class=\"product-faq-snippet\"\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Can Tri‑X 400 be push processed?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Tri‑X is commonly pushed to ISO 800 or 1600; adjust development times and expect increased contrast and visible grain.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"faq-item\"\u003e\n\u003cp class=\"faq-q\"\u003eQ: Is Tri‑X compatible with standard B\u0026amp;W processing?\u003c\/p\u003e\n\u003cp class=\"faq-a\"\u003eA: Yes. Process Tri‑X in standard black‑and‑white chemistry—do not process in C‑41 color chemistry.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/section\u003e","brand":"KODAK","offers":[{"title":"Default Title","offer_id":48412851798173,"sku":"B000I2JI3A","price":21.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/9596\/1757\/files\/kodak-tri-x-front-roll-packaging.jpg?v=1781251956","url":"https:\/\/nexoltic.com\/products\/kodak-tri-x-400-35mm-black-and-white-film-36exp","provider":"Nexoltic","version":"1.0","type":"link"}